Rolling Stone 2002

The loose-lipped rapper isn't afraid of his demons. Should you be?
 By Anthony Bozza

Check Out:
Rolling Stone 1999 Interview
Rolling Stone 2004 Interview
Rolling Stone 2010 Interview
Rolling Stone 2013 Interview

In a lounge chair in the presidential suite of a Detroit hotel, Eminem sits as he always does: leaning back in his chair, his legs wide apart, eyes straight ahead. He's dressed head to toe in Air Jordan. Sometimes, he suddenly leans forward to emphasize a point, tucking his hand under his chin or gesturing with a pointed finger, the way he does onstage. His eyes and skin are clear; he looks lean and in shape, and he has an odd, almost angelic glow to him, as if he's been wandering the desert with hip-hop monks. He's been keeping late hours, but it doesn't show, maybe due to better eats. ("Damn, they didn't get me fries with that," he says, eyeing a room-service tuna melt. "I'm off that no-carb diet.") He is relaxed, a king in his castle, ready to greet the world after a year of battle. Since the release of his second album, The Marshall Mathers LP, in May 2000, Eminem has seen his celebrity grow into a sun orbited by his own label (Shady Records), his partners in rhyme D12, a planet of fans, a nascent movie career (with the release of 8 Mile this fall) and an asteroid field of cops, lawyers and judges. In August 2000, he filed for divorce from his twisted muse and the love of his life, Kim, whom he had married only a year earlier. They shared eleven years and now share custody of their six-year-old daughter, Hailie Jade. In June 2000, while he and Kim were still married, Eminem witnessed her kissing another man outside a suburban Detroit bar. After a very short internal debate, Em pistol-whipped the guy and earned himself the first of two felony charges that year - the second came after an altercation involving the ersatz rap group the Insane Clown Posse. The two charges spelled possible jail time for twenty-eight-year-old Marshall Mathers, a gangsta reality he was scared as hell to add to his portfolio. To spice the stew further, Eminem's vitriolic rhymes made him the constant subject of protests by gay -- and women's-rights groups. The threat of prison and his current probation woke him up and grew him up right quick. He stopped drinking and downing purple pills and, as always, took his angst to the studio.

Rolling Stone 2004

THE SERIOUS SIDE OF EMINEM 

Credit: Rollingstone

Check Out:
Rolling Stone 1999 Interview
Rolling Stone 2002 Interview
Rolling Stone 2010 Interview
Rolling Stone 2013 Interview

Eminem has become a family man. during two long conversations over two days in Detroit in October, he constantly mentions the kids he's raising, as any proud father would: His daughter, Hailie Jade, will soon be nine, his niece Alaina is eight, and his half brother, Nate, is eighteen. In October, Marshall Mathers turned thirty-two. He grew up in Kansas City, Missouri, and Detroit without a father figure, but he has grown into a committed parent who goes to school plays and everything. He schedules most of his recording in Detroit and has put his movie career on hold so he can be home with the kids at night.

He has slowed down his drinking and his drug use since two 2000 gun charges that he feared would take him away from Hailie, but his ex, Kim Mathers, has slogged through her own legal morass. In June 2003 she was arrested for possession of cocaine, then failed to show up in court and for a short while hid from the police. Eminem says that explaining the situation to Hailie and Alaina "was one of the hardest things I ever had to go through." At the time of our first interview, Kim was in jail. At the time of our last interview, she had been released. "She's out right now," he said. "We're hoping that stays kosher."

'The Way I Am' - Excerpts from book 2008

Link to buy the book:

http://www.amazon.com/Way-I-Am-Eminem/dp/0452296129/ref=sr_1_1/178-2882680-1170539?s=books&ie=UTF8&qid=1388957645&sr=1-1&keywords=0452296129

There is also an option to "look inside" and read parts when you click on the cover.

Eminem's Memoir: Exclusive Excerpt from EW.com

(Link: http://www.ew.com/ew/article/0,,20233569,00.html)

In this first look at ''The Way I Am,'' the Grammy-winning rapper comes to terms with his anger issues, including his bout with Moby at the MTV Video Music Awards

I've always had issues with my temper.

When I look back at myself during those years when everything was blowing up, I think maybe at first I was a little, you know, too aggressive and loud. It was like I had this voice and I had to be heard. ''Don't f--- with me,'' to the point where people must have been wondering, Why is this dude so angry? Is he on crack? Is he on crystal meth? I go back and see old interviews and even now I wonder, Why was I so hyper?

I went through a phase back then when I was shooting pistols in the air behind the studio and, you know, pulling guns out, pointing a pistol in somebody's face, not even realizing that I could've gone to jail for that s---.

Back then I was living on a main road, Hayes Street, and random people used to come and knock on my door all the time. The first album had gone four times platinum. I finally had some money. I remember thinking, I have a house, I can park in back. It was the first time in my life I'd had a real home that I could call my own and nobody was going to be able to throw me out. Directly across the street there was a trailer park. Wouldn't you know it? Sometimes kids would sit and wait for me to come out.

Other times they didn't even bother to wait. They would just come and bang on the door. The doorbell kept ringing. I was starting to lose it. As soon as I would open the front door the camera flashes would go off. They'd start clapping. I was losing my mind. I got up in one kid's face with a pistol. Unloaded, but still. Was that the right thing to do?

Hell, no. But my temper was out of control. Thank God I was in enough control to not do something tragic. I had to move out of there before I wound up hurting somebody.

My mood can change quickly. It's always been that way. When I was drinking, I could be in a good mood — just loving everybody and feeling like everything was great — then somebody would say the wrong s--- to me, and before you knew it there was nothing my bodyguards could do to stop me from reacting and at least punching, spitting, or kicking a few times before they could get to me. It would be the simplest s--- that would set me off, like somebody looking at me hard. And I could not stop until I felt like I'd done something to make that person accountable, to make that person learn his lesson. Afterward, I would be full of apologies, just saying ''I'm sorry'' over and over. I'd feel like such an idiot for acting like that. Like, Why can't I control this?

You all saw the Triumph thing go down at the MTV Video Music Awards, right? That's a pretty perfect example. I mean, there I am, sitting in my seat, and they announce that I'm up for an award, presented by Christina Aguilera. I had said some things about her in the past, Moby had said some things about me, and I had said some things back about him. So I'm sitting there next to Proof, and they bring in Moby and sit him like two rows directly behind us. So now I'm like, Okay, what's going on? What are they trying to do? I've got Moby behind me, and Christina up onstage, and then this dog puppet gets up in my face. I'd been so busy touring and doing my own s--- that I hadn't had time to watch TV, so I had no idea what that dog was. All I saw was Moby and Christina and this dude who's sticking his hand in my face, trying to be funny. I didn't even see the puppet, you know? My natural reaction was, ''Get the f--- out of my face. Get your f---ing hand out of my face.'' And that's when I kind of lost it and a half. I should have kept my composure, but instead I stuck my fingers basically on Moby's nose. Right in his face, like, ''F--- you.''

When they told me I won the award, I went up there and gave Christina a hug, because there wasn't a real beef with her. I was just dissing her to separate myself 'cause I didn't want to be classified as a pop artist. When I hugged her, I thought I was being as mature as I could be. But when I got behind closed doors in the green room, I threw a fit. There was a cooler with drinks in it, and I asked if anybody wanted to grab a water or something. Nobody did. So I picked up the cooler and threw it against the wall and kind of f---ed up the whole room, basically.

Jeff Bass on Eminem (Grantland, 2013)

Q&A: Producer Jeff Bass on Discovering Young Eminem: 'He Was Sitting on the Toilet, and He Came Up With the Alter Ego'

Jeff Bass (Credit:  'Jeff Bass Music' facebook page)

By Amos Barshad on November 6, 2013 4:18 PM ET

You may have never heard of the Bass Brothers. But you've heard the Bass Brothers. Before Jimmy Iovine, before Dr. Dre, it was Michigan's Jeff and Mark Bass who were flipping their shit over the sounds of a young kid from Detroit named Marshall Mathers. In the early days, the production duo's studio on 8 Mile Road was like a second home for Eminem. And it was there that they recorded The Slim Shady EP, which would eventually make its way to Dre and Iovine and land Eminem his record deal. They'd continue to work with Em for years, producing all but three tracks on The Slim Shady LP, some of the more twisted ends of The Marshall Mathers LP, and — drum roll, drum roll, drum roll — "Lose Yourself." With this week's release of The Marshall Mathers LP 2, we got Jeff Bass on the phone to talk about the good old days.

How'd you meet Eminem?

My brother was listening to the radio, what today is our 95.5. It was a DJ we knew named Lisa Lisa. He called and asked her who that was, freestyling. She said, that’s Marshall Mathers. He said, “Is there any way we can get in touch with him?” She gives him the number. My brother called. And at three o’clock in the morning [Eminem] came to the studio, with a bunch of little dudes who turned out to be D12. That’s how it began. We didn’t know him, and he didn’t know us. He took a leap of faith at three in the morning.

Was he in school then?

He was working. He was flipping hamburgers at a little diner. Kind of a Coney Island. And every chance he got, he was in the studio. After work, before work. Studio.

What'd you make of him at first?

I was always kind of a hip-hop head, because of the R&B roots behind it. But when Marshall came into the picture, I wasn't quite sure about his ability — because I couldn't understand what he was saying! He was triple-timing, spitting rhymes: I was just trying to comprehend him. Then I started writing tracks for him. And it became apparent that he was amazing.

In between Infinite [Eminem's official, independently released first album] and The Slim Shady EP, we figured out how to communicate with him. Because he doesn’t come from a musical background. We had to figure out a way emotionally to get through to him. So how I approached it is, any song that had a happy feel we’d call a happy tune. Angry, sad, violent — we’d use adjectives to get through to him. So that he could write the type of lyrics that’d go with the track.

Most people know Kim as a character. You have a different perspective.

He’s been with me since ‘95, when he was a young buck. I was with him when Hailie was just born. I knew Kim. She used to come into the studio with us all the time. We used to take Marshall out to the different clubs in Detroit. She would come with us, be her crazy self.

Rolling Stone 1999

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Rolling Stone 2002 Interview
Rolling Stone 2004 Interview
Rolling Stone 2010 Interview
Rolling Stone 2013 Interview

In three short months, twenty-four year old Marshall Bruce Mathers III has gone from white trash to white hot. 

The Michigan rapper who calls himself Eminem - and whose debut The Slim Shady LP, sold 480,000 copies in its first two weeks - was a $5.50-an-hour cook in a Detroit grill before his obscenity-strewn, gleefully violent, spastic, hilarious and demented rhymes landed him in the studio with rap honcho Dr. Dre. 

The blue-eyed MC is dealing with the instant fame and simultaneous criticism well enough -- much better, actually, than he is dealing with the fifth of Bicardi he downed an hour ago. On a chilly Friday night in New York, he emerges bleary-eyed from the bathroom in his manager's office. "I just threw up everything I had," he says in his slow-roll drawl, which is a bit slower at the moment. "All I ate today was that slice of pizza. Feel good now, though." 

His manager exhales slowly with relief. Eminem has three club gigs tonight, and the first one starts in less than an hour. The crew (nine, including DJ Stretch Armstrong and Dennis the security guard) ambles toward the elevator. Downstairs awaits Eminem's partner in rap, Royce the 5'9, who looks to be about that and has seven people of his own in tow. Em hops into a gigantic ant white limo as fellow honky Armstrong cops a rhyme from Eric Clapton's Cream. "In the white room, with white people and white rappers," he bellows. A minute later there's a knock on the window and one of Royce's posse gives Em the first of the three hits of ecstasy he will consume over the course of the night. Down it goes in a swallow of ginger ale as the car zooms off towards Staten Island. 

Out on New Dorp Lane, there is a crowd of kids, a mere fraction of the number already inside the Lane Theater. The all-ages show is packed, and Eminem is the evening's main course. The mob is being controlled by the club's security, but when the rapper moves inside, the burly dudes are no match for the crush of shouting teens. "You look good!" one girl shouts. "Oh, my God, he looks even better in person," shrieks another. Everywhere, kids have tiny glow sticks in their mouths, which, here in the dark, look like neon braces. At the back of the club, up a ladder, is the minute-dressing room, where the very proud owner of the club is waiting. "Hey, nice to meet ya," he says. "My daughter told me to get Eminem, so I got Eminem. It's her fourteenth birthday. Hey, say hi to her and her friends." 

Hello 2006

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Eminem Hello 2006 cover - Second Marriage to Kim Mathers

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